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Bailo & Killkid - Exceso [FREE DOWNLOAD] 6 лет назад


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Bailo & Killkid - Exceso [FREE DOWNLOAD]

'Bailo - The Cure EP' IS OUT NOW! STREAM/ FREE DOWNLOAD: http://barong.family/thecureep ‘These past months have been my most creative to date. It has always been a dream of mine to release with a successful label like Barong Family so when the oppurtunity came forward, I had to show them just how serious and dedicated I am. I teamed up with some very hungry, upcoming producers who had the same work ethic as I did, to create a masterpiece. This is 10+ years of hard work put into an EP.’ – Bailo When we asked New York producer Bailo to put together his first release for the label, he didn’t make it all about himself. On The Cure EP, he connects with half a dozen talented guys from North and South America to further extend the family—and to create some of the most hard-hitting tracks we’ve ever put out. Bailo: ‘These are all artists that I have been looking out for, so when I approached them with collab ideas it was a no-brainer. Many Skype calls and FaceTime sessions later, the magic was created.’ On two tracks from The Cure EP, Bailo works with Peruvian producer Dryxo. Both are hyper, fast-paced productions with a devastating impact. ‘Grid Lock’ has a super aggressive vocal sample that doesn’t relent even after the track switches to a breakdown in the middle of its pent up frustration. The aptly titled ‘War’ is even more pugnacious and features Minneapolis MC Rico Act leading the troops into battle. There are even more sirens going off in ‘Exceso’, where Bailo takes down the tempo—just for a short while. The track is a collaboration with Killkid from Venezuela, who has previously worked with friend of the Barong family Junkie Kid. Bailo and Killkid slam a tropical rhythm together with some hard dance beats to great effect. For ‘Step Up’, Bailo ventures into treacherous territory with producers AC-Bac and the brothers LouieJayxx, all three of them from the border city of Laredo, Texas. Together, they apply some of the most insane, if not dowright scary rave aesthetics we’ve ever come across.

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