Скачать с ютуб 《上访》第一部：《众生》Petition Part A, The Masses 赵亮 Zhao Liang (2009) в хорошем качестве

《上访》第一部：《众生》Petition Part A, The Masses 赵亮 Zhao Liang (2009)

（English follows）这部影片的国内发行版由《众生》《母女》《北京南站》三部分组成。第一部《众生》串联起多个上访人的不同故事，他们因为不同的事由走上了上访这条路。导演在这部中力图全景式地展现上访人群的经历，解释什么是上访，人们为何要上访，以及如何上访。导演在回顾他的拍摄过程时曾说，拍截访的人时他就尽量穿得像截访者，要拍上访的人，就要尽量穿得像上访的，“几套行头，拍摄也尽量低调，尽量拿小机器” 。该片获得夏威夷电影节最佳纪录片奖，以及香港国际电影节最佳纪录片人道奖。 创作者简介：赵亮（1971— ），纪录片导演，摄影、录像艺术家，1992年毕业于鲁迅美术学院，1993年 起工作生活在北京。赵亮的纪录片作品大多涉及社会议题和普通人的生活，关注个人和国家机器之间的关系，包括《上访》《告别圆明园》《罪与罚》等。其电影作品曾在戛纳、威尼斯、柏林电影节等首映并获得众多国际奖项。其艺术作品也在国际摄影中心（纽约）、沃克艺术中心（明尼阿波利斯），和世界文化宫（柏林）等众多艺术馆和博物馆展出。 In 2009, director Zhao Liang released a three-part series of films about people who come to Beijing to petition against injustice. The domestically-released version of Petition consists of three parts: The Masses, Mother and Daughter, and Beijing South Railway Station. Part one, The Masses, brings together the stories of petitioners of various backgrounds, who all for different reasons, ended up walking the same path. The Masses gives a comprehensive account of what is petitioning and and follows the process. Zhao Liang recalls dressing like the interceptors when filming interceptors, and dressing like a petitioner while filming petitioners. “I had several outfits, and tried to stay low key, using the smallest cameras possible.” The film went on to win the Halekulani Golden Orchid Award for Best Documentary Film at the 29th Hawaii International Film Festival, and a Humanitarian Award for Documentaries at the 34th Hong Kong Film Awards. In China, individuals can complain to higher authorities about corrupt government processes or officials through the petition system. The form of extrajudicial action, also known as "Letters and Visits" (from the Chinese xinfang and shangfang), dates back to the imperial era. If people believe that a judicial case was concluded not in accordance with law or that local government officials illegally violated his rights, they can bring it to authorities in a more elevated level of government for hearing, re-decide it and punish the lower level authorities. Every level and office in the Chinese government has a bureau of “Letters and Visits.” What sets China’s petitioning system apart is that it is a formal procedure—and as Zhao Liang's documentary shows, the system is largely a failure. About the Creator： Zhao Liang (1971- ), documentary director, photography and video artist, graduated from Lu Xun Academy of Fine Arts in 1992 and has been working and living in Beijing since 1993. Most of Zhao's documentary works involve social issues and ordinary people's lives, focusing on the relationship between individuals and state machinery, including Petition, Farewell to the Old Summer Palace, and Crime and Punishment. His films have premiered at Cannes, Venice, Berlin Film Festival, etc. and won numerous international awards. His artworks have also been exhibited in numerous art galleries and museums, including the International Center of Photography (New York), the Walker Art Center (Minneapolis), and the Palace of World Culture (Berlin).