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Art, Fiction, & History: The Work of W.G. Sebald

In this roundtable, Mark Anderson (Professor of German and Comparative Literature, Columbia University), Daniel Kehlmann (Novelist and Fellow, The New York Public Library), and Judith Ryan (Robert K. and Dale J. Weary Professor of German and Comparative Literature, Harvard University) discuss the relationship between fiction and history in W.G. Sebald’s work. Sebald situates his work in the gray zone between fiction and history, positioning himself with both proximity and distance to his subject matter, alternating between first-hand victim and third-hand witness. At the center of Sebald’s writing is the taboo of the “wrongful trespass:” a fear that either he will falsely identify with events he himself has not experienced or that his objectivity will dilute the emotional impact of what he describes. This roundtable, moderated by André Acian (Distinguished Professor, The Graduate Center CUNY) examines how Sebald responds to this concern by creating works that straddle the boundary between fact and fiction in order to portray and grapple with historical events. Presented on May 6, 2017, with the Critical Theory Certificate Program, the Writers’ Institute, and the Center for the Humanities.