Скачать с ютуб Why The Rothschild Family Abandoned Their Greatest Mansions в хорошем качестве

Why The Rothschild Family Abandoned Their Greatest Mansions

The world's richest banking dynasty discovered that being billionaires comes with a devastating catch—some luxuries become too expensive even for the Rothschilds to maintain, creating the ultimate architectural irony. The same family that taught the world how to manage money couldn't figure out how to afford their own palatial homes, abandoning mansions that once rivaled Versailles itself. ------------------------------------ Why This Gilded Age Luxury House Was Nearly Lost to Time: The Elms' Restoration Miracle --    • Why This Gilded Age Luxury House Was Nearl...   ------------------------------------ Why New York's Most Opulent Gilded Age Mansion Was Saved From Destruction: Oheka Castle (Restored) --    • Why New York's Most Opulent Gilded Age Man...   ------------------------------------ TIMESTAMPS 0:00 Introduction 1:05 Chapter 1: The Fall of Banking Royalty 4:49 Chapter 2: Building an Empire in Stone 8:52 Chapter 3: When Palaces Breathed with Life 12:43 Chapter 4: The Destruction of Dreams 16:45 Chapter 5: Ghosts in Gilded Ruins ------------------------------------ Today, their crown jewel Château Rothschild in Boulogne-Billancourt sits rotting behind walls of brambles, its roof collapsed and every surface defaced with graffiti where royalty once danced. The Rothschilds owned architectural kingdoms requiring sixty gardeners, housing collections worth entire national treasuries, and hosting everyone from Chopin to Queen Victoria in ballrooms that now echo only with decay. War, taxation, and social revolution destroyed in mere decades what had taken centuries to build, with death duties reaching eighty-five percent and annual maintenance costs of £200,000 per house. The Kriegsmarine occupied Château Rothschild during WWII, systematically looting 5,003 catalogued objects divided between Hitler and Göring while American liberation forces later destroyed centuries of landscaping with heavy trucks. Alexandrine de Rothschild maintained her château's grounds after the war but could never bring herself to enter the violated building again, watching it crumble for thirty-seven years behind impenetrable brambles. Mentmore Towers faced destruction through modern taxation when the sixth Earl of Rosebery's heirs confronted death duties of several million pounds that could only be raised by selling the estate itself. The British government refused to save Mentmore despite an offer that would have created one of the world's greatest decorative arts museums for a fraction of its true value. The subsequent 1977 Sotheby's auction became the "Sale of the Century," systematically dismantling in ten days what had taken over a century to assemble as Gainsborough paintings and priceless furniture scattered to anonymous buyers worldwide. Baron James built his château so magnificent that Napoleon III came to plant a commemorative tree, while Baron Mayer commissioned the Crystal Palace designer to create England's first house with French boiseries. These houses were private universes containing libraries of 8,000 volumes, collections including gifts from emperors, and rooms where Chopin composed his Valse Op. 64 for Charlotte de Rothschild. Elisabeth de Rothschild died in Ravensbrück concentration camp while other family palaces became Nazi headquarters, with the Palais Albert Rothschild serving as Adolf Eichmann's base for organizing deportations. Urban explorers infiltrating these ruins today report finding secret library rooms behind bookcases at Mentmore and elaborate 1937 air-raid shelters at Château Rothschild that later hosted clandestine masked parties among the ruins. Property developers purchased the crumbling Château Rothschild in 2016 with a €20 million restoration plan requiring four modern residential structures on the grounds to finance the project—a compromise that would have horrified the original builders. Mentmore Towers remains frozen in decay since 2010, owned by bankrupt developer Simon Halabi while its roof leaks and ceilings collapse as lawyers argue over its fate. The contrast between restored properties like Waddesdon Manor, which attracts 463,000 annual visitors, and abandoned ruins reveals how society values cultural heritage when private wealth can no longer sustain it. These empty palaces serve as monuments to a vanished world where private fortunes could create and maintain cultural institutions of national significance, proving that even the greatest banking fortune in history couldn't preserve a way of life whose time had passed.