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Fantastic rendition of Chan Chan from the Buena Vista Social Club, recorded at the Tabarka International Jazz Festival in Tunisia in the summer of 2004 with Eliades Ochos. The Buena Vista Social Club was a members club in Havana, Cuba that held dances and musical activities, becoming a popular location for musicians to meet and play during the 1940s. In the 1990s, nearly 50 years after the club was closed, it inspired a recording made by Cuban musician Juan de Marcos González and American guitarist Ry Cooder with traditional Cuban musicians, some of whom were veterans who had performed at the club during the height of its popularity. The recording, named Buena Vista Social Club after the Havana institution, became an international success, and the ensemble was encouraged to perform with a full line-up in Amsterdam in 1998. German director Wim Wenders captured the performance on film, followed by a second concert in Carnegie Hall, New York City for a documentary that included interviews with the musicians conducted in Havana. Wenders's film, also called Buena Vista Social Club, was released to critical acclaim, receiving an Academy Award nomination for Best Documentary feature and winning numerous accolades including Best Documentary at the European Film Awards. The success of both the album and film sparked a revival of international interest in traditional Cuban music and Latin American music in general. Some of the Cuban performers later released well-received solo albums and recorded collaborations with international stars from different musical genres. The "Buena Vista Social Club" BVSC name became an umbrella term to describe these performances and releases, and has been likened to a brand label that encapsulates Cuba's "musical golden age" between the 1930s and 1950s. The new success was fleeting for the most recognizable artists in the ensemble: Compay Segundo, Rubén González, and Ibrahim Ferrer, who died at the ages of ninety-five, eighty-four, and seventy-eight respectively; Segundo and González in 2003, then Ferrer in 2005. * * Lyrics * * * De Alto Cedro voy para Marcan Llego a Cueto, voy para Mayar El cario que te tengo No te lo puedo negar Se me sale la babita Yo no lo puedo evitar Cuando Juanica y Chan Chan En el mar cernan arena Como sacuda el jibe A Chan Chan le daba pena Limpia el camino de paja Que yo me quiero sentar En aqul tronco que veo Y as no puedo llegar De alto Cedro voy para Marcan Lleg a Cueto voy para Mayar ENGLISH From Alto Cedro, I go to Marcan I arrive in Cueto, and then I go towards Mayar. The love I have for you is something I cannot deny I drool all over I cannot help it. When Juanica and Chan Chan sifted sand at the beach Chan Chan felt sorry/shame Clean the path of straw cause I want to sit down on that tree trunk I see and that way I'm never going to arrive From Alto Cedro, I go to Marcan I arrive in CUeto, and then I go towards Mayar. http://www.buenavistasocialclub.com/ video: Stephen Smith http://www.mycompass.ca / mycompasstv