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3 Body Problem Behind the Scenes VFX

Here's how 3 Body Problem artisans designed the Judgment Day sequence, as well as its other stunning set pieces. Courtesy of Netflix. You can read our full interview with visual effects supervisor Stefan Fangmeier and production designer Deborah Riley — both veterans of Game of Thrones — as well as editor Michael Ruscio (True Blood, Six Feet Under) about how they brought the unforgettable Judgment Day sequence to life, here: https://www.moviemaker.com/3-body-pro... The first time you see it, you might think the invisible nanofibers are racing across the deck and down hallways, seeking out their victims. But one thing we learned from the interview is that the truth is even worse. The nanofibers are long strands of material, stretched across two poles at either side of the canal, spaced out at 50-centimeter intervals from the surface of the water up to the deck of the tanker. (Fifty centimeters equal about 20 inches.) Picture a fence in the Old West, with three lines of barbed wire — except the barbed wire is too thin to see. The fibers do not move. As the ship enters their web, everything in it is sliced at those 50 centimeter intervals — paper dolls, children’s backpacks, a hose, and finally bodies. “We were just talking about it like one of those egg graters — you put a hard-boiled egg in it, and the wires go through it, and you end up with all these slices,” said Fangmeier. “So then the question was just, what would immediately happen, in terms of physics, to this tanker, in terms of the layers?” It would appear to stay intact — until it ran aground. “And then of course, through that stop of the forward momentum, the slices would start to slide off each other and onto the shore,” Fangmeier continued. “If you’ve had a cake cut into many layers and you push them on a cart, it’s fine until it hits something. And then of course, the cake would fall.”