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DJI D-Log and D-Log M Color Grading - EVERYTHING You Need to Know!

DJI D-Log and D-Log M color grading can be tricky, but in this video I break down three different methods for grading both formats both for free and using my conversion LUTs. These methods work on footage from DJI Mavic 3, Mavic 2, Air 3S, Mini 4 Pro, Inspire 3, Avata, Osmo Pocket, Osmo Action, Ronin 4D, and many older models. DJI D-Log and D-LogM LUTs: https://geni.us/U0KXS Camera Gear Bag: https://geni.us/yh4hRx Fuji X-H2s: https://geni.us/B6W04 The best lens for video: https://geni.us/pqr9Jab Variable ND: https://geni.us/GqwdR Audio Recorder: https://geni.us/6rnl2Wq Best Lav Mics ever: https://geni.us/Jy8u My favorite Fuji lens: https://geni.us/VGTq Editing Gear Audio Interface: https://geni.us/f97L9 Logitech MX Keys Keyboard: https://geni.us/LvK1Ba Logitech MX Master 3S Mouse: https://geni.us/mA0Knw Samsung T7 SSD: https://geni.us/WFsOFns Color Grading Gear Calibration (including Apple XDR Display): https://geni.us/5VPny9A Davinci Resolve Micro Panel: https://geni.us/tIAEAbL Blackmagic UltraStudio 4K Mini: https://geni.us/GDSS Calibrite ColorChecker Display Pro: https://amzn.to/3UKevba My LUTs (SAVE10 for 10% off): https://geni.us/daovHys The best client review tool: http://r.frame.io/CNFls?c​ Professional inquiries please email: [email protected] Most of the purchase links in this description are affiliate links. Proceeds support this channel at no extra cost to you. Thank you for your support. 00:00 - Intro 00:22 - Bad Advice to Avoid 01:00 - Technique Overview 01:30 - D-Log vs D-LogM 03:42 - Why You Shouldn't Grade Manually 05:03 - The Problem with D-LogM 05:41 - LUTCo D-LogM LUTs 11:14 - DJI Free D-LogM LUTs 13:35 - D-LogM LUT Variations 14:59 - D-LogM vs Standard Profile 15:51 - D-Log Resolve Color Management 17:07 - D-Log LUTs 18:42 - D-Log Pre-LUTs 20:49 - Node Order of Operations for D-Log 22:24 - Ronin 4D D-Log 25:47 - Premiere Pro LUTs 29:03 - Premiere Pro Adjustment Layers 31:13 - Premiere Pro D-Log Color Management 33:19 - Problems with Premiere Color Management 34:01 - Closing Thoughts