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2001: A Space Odyssey Explained [Starchild, Monolith, Ending]

2001: A Space Odyssey Explained | The sci-fi genre has always been about expanding ideas. Fritz Lang’s 1927 Metropolis was groundbreaking for its time. Stanley Kubrick continued that tradition with 1968’s 2001: A Space Odyssey. The film had it all. From deeper thoughts of existence to eye-popping visual effects. Kubrick, alongwith sci-fi legend Arthur C. Clarke, crafted a genre-defining masterpiece that went on to inspire several other iconic films. The film broke new technical and artistic ground long before crowd-pleasing space operas. Whether it’s the questioning of evolution in 1979’s Alien or the artificial intelligence of 1982’s Blade Runner. Kubrick’s film would lay a foundation for all of that. Remember, 2001 came out only a year before Neil Armstrong landed on the moon. Like NASA’s dreams of going to the moon, Kubrick and Clarke had big plans for this film. They favored ambiguity with this type of script. While deep philosophical questions were posed, there were no easy answers. Let’s take a closer look at 2001: A Space Odyssey. The film begins at the dawn of mankind. A rousing symphony brings us into a prehistoric age. It’s a time of apes. With resources in short supply, the apes form factions. They battle for water amid a barren Earth. The sun moves, and time passes for the defeated apes. The days are long and violent, and the nights are spent in caves. But one morning becomes one of the most eventful. The apes awaken to a strange object in their territory. A big, black slab has mysteriously shown up. Whatever this monolith may be, it holds a great power. The monolith grants the power of knowledge to these apes, even if it spooks them initially. The apes use this knowledge to their advantage. Bones become tools and weapons for the apes, and nature is now dominated by these armed apes. They’ve learned to kill, granting them authority. With that authority, they start asking questions. Questions like, “Why not kill animals for meat?” “Why not kill those apes who took our watering hole?” They don’t have to accept defeat. Not when they have weapons to beat up other apes with. A victory is celebrated with a bone in the air. That useful bone soon transitions into a satellite. The timelines jump to our futures. The defiance of the apes has brought mankind to the stars. And it all started with violence, breaking the food chain. How much has changed since those old days? Technologically, a lot. Philosophically, not much. The apes wanted to conquer other apes, and humans wanted to conquer space. The target is bigger, but the desires are the same. It’s a cycle of violence we can’t break. The obsession with our past coats this film. Learning about our origins forces the more challenging questions. Such as, “Are we alone in the universe?” The answer is sought by Dr. Heywood Floyd, played by William Sylvester. He’s hoping a lunar crater will give him a clue. That is after he takes a spin on the giant space wheel. After that, he’s off to America’s Clavius Base outpost to investigate. The problem is that the base isn’t talking. The silence has only made the scientists more suspicious. Rumors swirl of an epidemic. What kind? Nobody knows for sure. Floyd deflects any questions. After wishing his young daughter (Vivian Kubrick) a happy birthday on a video call from the space station, Floyd departs for the Clavius Base. He stresses secrecy to the personnel. There’s no telling what this discovery could be. The mystery is that of a monolith that’s been discovered at the Tycho crater. Speculation is it’s been there for 4 million years. History is repeating itself. That’s the impression from Gyorgy Ligeti's returning music. It’s just like with the apes. But what exactly does Mr. Floyd gain by touching the monolith with his space suit? The high-powered radio signal the monolith emits doesn’t help the astronauts investigating. 18 months later, it’s time for Discovery One spacecraft, manned by Dr. Dave Bowman, Dr. Frank Poole, to head to Jupiter. HAL 9000, the ship’s on-board AI... Cinematography: Geoffrey Unsworth Read: 2001 A Space Odyssey Explained - Why did HAL kill the crew https://flickside.com/2001-a-space-od... Timestamp: Intro: 00:00 - 1:28 In The Beginning - 1:28 - 2:58 Lunar Secrets - 2:58 - 4:15 Mission Jupiter - 4:15 - 5:16 Dave vs AI 5:16 - 6:38 HAL’s Aggression - 6:38 - 7:48 A Trippy Trip Through Space and Time - 7:48 - 9:01 What Does The Starchild Mean? - 9:01 - 11:37 Copyright: Stanley Kubrick Productions Subscribe to Flickside:    / @flicksideofficial   https://flickside.com/ Instagram:   / flickside_official   Threads: https://www.threads.net/@flickside_of... Twitter:   / flicksidem   Facebook:   / flicksidemovies   #2001aspaceodyssey #stanleykubrick #scifi #starchild #christophernolan 2001 A Space Odyssey ending explained