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As the vocaloid character Hatsune Miku becomes aware that she is not a real human being, living in a "two-dimensional world", she keeps asking how fictional characters exist. Jack offers answers to her questions. She learns about consciousness, games of make-believe happening within a play-frame, and what "alief" is. But in the end, how do we switch back to reality before cognitive dissonance appears? Do you want to learn more on how fiction and reality inspire each other? Check out the my book "Love in the Second Dimension: How Love for Fictional Characters can re-enchant the World": / love-in-the-second-dimension Timestamps: 0:00 Who is Hatsune Miku? 1:50 What does "two-dimensional world" mean? 2:30 How does our consciousness work? 3:25 How do games of make-believe work? 4:40 What is "alief"? 5:36 How can concepts of ideas like fictional characters appear to us at any place at any time? 6:10 How can alief occur? 6:56 How do we switch from a game of make-believe back to reality? 7:32 What is introspection? 8:00 How can people believe that fictional characters are real?/What is double-consciousness? 8:25 What is cognitive dissonance?/How can cognitive dissonance appear? 8:51 How do we maintain the faith/play-frame? 9:22 What is the "fictophile paradox"? 9:47 How can fictional characters have an impact on society? Cast & Crew Director & Editor: jacksreality (Discord: jacksreality) Chibi Hatsune Miku: Ron Rumko (https://www.artstation.com/ronrumko) Objects: Tulacerito (https://ko-fi.com/tulacerito, Discord: tulacerito) Hatsune Miku Voice programming: @WintermintP Jack's voice: Ben Weeks (https://benweeksvoice.actor/) Resources: Bateson, Gregory (2000): Steps to an Ecology of Mind. Chicago, Illinois: University of Chicago Press. Gendler, Tamar Szabó (2007): Alief and Believe. http://pgrim.org/philosophersannual/p.... Last retrieved on the 11th of August 2022. Habermas, Jürgen (1987): The Philosophical Discourse of Modernity: Twelve Lectures. trans. Frederick Lawrence. Cambridge, Massachusetts: MIT Press. Karhulathi, Veli-Matti/Välisalo, Tanja (2021): Fictosexuality, Fictoromance, and Fictophilia: A Qualitative Study of Love and Desire for Fictional Characters. https://www.frontiersin.org/articles/.... Last accessed on the 14th of October 2021. Kuijsten, Marcel (2018): The Julian Jaynes Collection. Henderson, USA: Julian Jaynes Society. Luhrmann, Tanya M. (2022): How God Becomes Real: Kindling the Presence of Invisible Others. Princeton, New Jersey: Princeton University Press. First published in 2020. Taylor, Marjorie (1999): Imaginary Companions and the Children who Create Them. New York, USA: Oxford University Press. Walton, Kendall L. (1990): Mimesis as make-believe: On the Foundations of the Representational Arts. Cambridge, USA: Harvard University Press. Yoshihito, MIKI (2024): The HATSUNE Miku concert is handmade by Hokkaido University student Volunteers. https://commons.wikimedia.org/wiki/Fi.... Last accessed on the 21st of March 2025. Tags: #alief #animecharacter #consciousness #hatsunemiku #fantasygames #fiction #fictophilia #metaphors #mythology #parasocial #vocaloid #waifu #waifuism