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I HATE The Last of Us TV Show Season 2! - The Abby Issue Rant

Like and subscribe if you enjoyed it! Follow me on social media: Twitch:   / thedreamcastguy   BlueSky: https://bsky.app/profile/dreamcastguy... Instagram:   / dreamcastguy   Let’s face it, this week’s The Last of Us is all about one thing: the death of Joel Miller. As such, it creates certain expectations: Abby killing Joel will leave as big an impact as possible – a crater in Ellie’s life that she can only fill with vengeance – and everything else in the episode will be geared toward making sure that happens. It’s the inciting moment for the rest of the story. The most crucial moment in the series (perhaps, outside of Joel’s fateful choice at the end of season 1). It’s therefore disappointing that for most parts of season 2 of The Last of Us’ second episode, it feels like an afterthought – a sideshow to an explosive, albeit exciting, battle sequence. Neither halves of this story are executed poorly – far from it, with both thrilling visual style and character-led substance – they just don’t fuse together into a satisfying whole. The biggest problem with the show’s handling of this is Abby Like think about the Abby versus Ellie “boss fight.” Since you’re not controlling Abby, that will lose the point of its perspective and you’ll just be like “rah rah get her Ellie!” A) they revealed her entire sad story in an episode and a half so no real mystery there B) a game is different because you are forced to embody Abby to see her perspective which I don’t think will work as well here Mark Mylod of Succession fame (and seemingly HBO’s go-to pair of hands when it comes to an episode ticking down to a father’s death) has a lot to juggle when directing this chapter. It’s partially an ode to The Lord of the Rings’ Helms Deep sequence (plus some Hardhome from Game of Thrones), and partially a cold, brutal examination of murder as a means of closure. The latter is the most crucial piece of the jigsaw, and for the first half of the episode, the tension is ratcheted up beautifully, culminating in a wonderfully claustrophobic sequence that sees Abby struggling through the snow under a wire fence buckling under stacks of infected. The pressure generated is suffocating, and a true display of the rabid relentlessness of the infected.

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