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The Peripheral: Pure Garbage

The Peripheral... how did we get this awful series, from what is said to be an excellent book by William Gibson? In The Peripheral, Chloë Grace Moretz plays Flynne Fisher, Gary Carr plays Wilf Netherton, Jack Reynor plays Burton Fisher and JJ Feild plays Lev Zubov. OK I wanna chat for a minute about how GARBAGE the writing in "The Peripheral" AND MANY OTHER series is. And I mean recent series that people are talking about – often positively. I mean things that the internet or even sometimes real people with their real faces are are telling me: Watch The Peripheral because it’s GOOD. NO IT’S NOT. Now I’m not gonna go all "The PERIPHERAL" on you here which means talking about a bunch of stuff that has absolutely no relevance to anything else I bring up – so for this little conversation, I’ll just stick to "The Peripheral" and how endlessly bad it is. Narrative causality? – Ah, what now? If you asked the writers of this series what that was, they’d probably think it was one of the names of the vague concepts that didn’t make sense in their vague-arse script. What narrative causality really means is the plain and simple fact that having certain events take place in a story allows for a limited set of following events and prevents other things from even being a possibility, for example, if a written off vehicle is taken into evidence, it can’t then be... oh you know, here, with other evidence which the bad guys would be highly motivated to keep hidden, conveniently still in it. Now in comparison to everything else this is a petty grievance – don’t get me wrong, it is completely ridiculous but I’m prepared to accept that maybe they didn’t have time to film this guy stealing into the evidence room and taking some stuff or whatever, and they just had to use this footage. Amateur... yes, but series destroying, no? What is series destroying... is the fact that there is no premise here, at all. I’ll come back to that in a minute, because what the writers of The Peripheral do not get, and I mean REALLY DO. NOT. GET. AT ALL... is that intrigue or any kind of tension can only be built when the consequences and the stakes are introduced early enough that we can feel them. Now this is tricky, because I’m not saying that the entirety of what’s at stake has to be introduced in the first scene... but it does have to be early enough that when a threat comes up, we believe that there are real consequences at play. Instead, what the Peripheral does, CONSTANTLY, is to say: ”Here’s why this scene matters... and here’s the scene. The next will matter because of some other convoluted crap that we obviously just made up and doesn’t really bear any resemblance to anything else we’ve written... and now here’s that scene.” Subscribe to this channel here!    / @lamontmcleod2   The Peripheral: You might want to read the book.