Скачать с ютуб 육효진_Yook Hyo Jin_2019 의정부예술의전당 신진작가 공모전 в хорошем качестве

육효진_Yook Hyo Jin_2019 의정부예술의전당 신진작가 공모전

육효진_Yook Hyo Jin_2019 의정부예술의전당 신진작가 공모전 I am an artist named Hyojin Yook. I am working on the subject of social polarization of hierarchy and the nature of human life that has occurred in capitalism. I have lived in a Gosiwon. The experience helped me understand the new level of classism in society and it is one of the hardships experienced by youth that can be experienced in everyday life. It is a life like that of a ‘new refugee’ who cannot settle, applying to live in a temporary residency for a year at the most. *Gosiwon in Korea is one of the housing types in which a building has many tiny little rooms with a common kitchen and a shared shower/bathroom. People with a limited budget choose to rent a 1.5m 2tiny Gosiwon room.) There is a secular saying, ‘Landlord above God,’ meaning that owning an expensive house represents a social status and position. Nowadays, a house is used as a tool to display 'differentiation in wealth' rather than a space for living. In Korea, the concept of a 'house' is a symbol of material abundance which can also be a sign that one’s life is full of solitude, isolation and loneliness, as well as show the gap between the rich and the poor. It has been quite some time since the original function of a 'house' was ‘the shelter for both body and mind’. It has since gotten changed to prove the gap between the rich and the poor. And there is no room for the value and dignity of humans in this. Prejudice and discrimination, which are taken for granted based on a ‘house’, are becoming more severe. When I lived in a Gosiwon, I experienced that the presence or absence of the window dictates the rental price and the presence of the window meant the quality of life. For this reason, a house is not different from the 'price of human life' that penetrates the capitalist era, and intends to capture the problem of social structure, which is valued by price, not by a person. I expect my work to bring up an important issue to improve the quality of one’s life by intervening in the context of people's lives. I hope that the monologue that describes what is missing in the current era is not just a place or a space called 'house', but one that will be deeply penetrated by the viewers. Ultimately, I want people to be able to realize how prosperity or everyday happiness we are pursuing today leans on a fragile and dangerous foundation through ‘a house of windows’ like‘ a house of cards.’ I want my art activities not only to be aesthetic, but to become a chance or stage to participate in our life in the reality by encouraging our imagination or reflection in the face of the overall problems of the society. The purpose of my work is to discuss the contemporary issue projected on a symbol of a ‘house’ as a kind of ‘social art.’