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Oxford graduate Stanley Windrush (Ian Carmichael) wants to work hard and be successful. Unfortunately, he is a perfectionist who constantly sees flaws and demands that his prospective bosses address them – even when these flaws make them look terribly bad. After a series of botched training sessions, Stanley's wealthy uncle, Bertram Tracepurcel (Dennis Price), offers him a low-paying job at his missile factory. Convinced that later on the experience will help him better understand and manage the men and women that will work for him, Stanley immediately accepts the position. However, his enthusiasm quickly proves problematic and he is promptly confronted by the factory's outspoken union leader, Fred Kite (Peter Sellers), who wants him fired because he suspects that Stanley, who isn't a union member, has been sent by the management to secretly monitor the workers and their activities. Meanwhile, a real informer (John Le Mesurier) is compromised and the factory's chief supervisor, Major Hitchcock (Terry-Thomas), decides to replace him with Stanley. When Kite meets him and demands that Stanley is fired, Hitchcock "confesses" that there was a clerical error and that the young man should have never been sent amongst the workers. Assuming that this is the perfect opportunity to seriously embarrass the management, Kite changes his mind and instead insists that Stanley is allowed to continue working. After Hitchcock enthusiastically capitulates, Kite welcomes Stanley in his home and introduces him to his best friends, Marx and Lenin. Much to his disappointment, however, the young man becomes infatuated with his busty daughter (Liz Frazer). Around the same time, Tracepurcel strikes a deal worth millions with a shady Arab envoy (Marne Maitland) and the owner (Richard Attenborough) of another factory. But for the deal to work, they need someone to instigate a big strike at Tracepurcel's factory that would last a couple of day – someone as naïve as Stanley. John Boulting's I'm All Right Jack has a very dry, very British sense of humor and non-British viewers will likely need some time to get used to it, but it is precisely its different attitude that makes it so fascinating to behold. I personally found the enthusiasm with which it mocks the two opposing sides hugely entertaining. It is really difficult to choose the stars. Carmichael is outstanding as the naïve outsider, but with only a couple of scenes Terry-Thomas also leaves a lasting impression. (His eccentric remarks are pure gold). Sellers is also incredible as the brainwashed Marxist union leader, but Frazer and Margaret Rutherford, as the ultra-conservative aunt Dolly, could not be any better. Alan Hackney wrote the novel that inspired the film and then collaborated with Frank Harvey on the script for it. A number of the characters in it also appear in Boulting's Private's Progress (1956), which is also based on a story by Hackney, but prior knowledge of their affairs isn't required to enjoy the film. In 1960, I'm All Right Jack won BAFTA Awards for Best British Actor (Peter Sellers) and Best British Screenplay (Frank Harvey, John Boulting , Alan Hackney).