Русские видео

Сейчас в тренде

Иностранные видео




Если кнопки скачивания не загрузились НАЖМИТЕ ЗДЕСЬ или обновите страницу
Если возникают проблемы со скачиванием, пожалуйста напишите в поддержку по адресу внизу страницы.
Спасибо за использование сервиса savevideohd.ru



Top 10 Myths of Creating Music for Film/TV Licensing Debunked!

On this episode of TAXI TV, TAXI CEO Michael Laskow goes over the Top 10 Myths of Creating Music for Film/TV Music Licensing and explains why they're not true. If you want to find success in sync licensing, this is the episode for you! 0:00 - TAXI's CEO Introduces 10 Sync Music Myths! 1:34 - Myth 1: All music has the same chance of being used – just do what you do and the marketplace will find you. 4:45 - Myth 2: When a production music library signs your music, the very next thing they do is make calls, send emails, and knock on doors of everyone they know to promote your music. 8:02 - Myth 3: Music supervisors are just like A&R people. 11:11 - Myth 4: Instrumental cues that demonstrate compositional excellence will get used more than something less complex. 13:23 - Myth 5: If a music supervisor hears a song that is ALMOST perfect, they will reach out and ask you to fix it. 15:05 - Myth 6: The audio quality of your songs or instrumentals must be spectacular! 16:59 - Myth 7: Music Supervisors are looking for hits. 19:21 - Myth 8: All Music Libraries are the same. 23:23 - Myth 9: If your song is amazing, the music supervisor will find a way to get it into production, even if it does not fit the scene or the vibe of the project. 24:33 - Myth 10: You do not need to know about how the business side of Film and TV works – all you need to do is create great music. 35:35 - Some members do not read TAXI's listings very carefully, even though the word EXCLUSIVE is in all caps several times within the listing details. When they get contacted by the company offering them the deal, they refuse to sign an exclusive deal, even though they submitted their music to a company that told them their deal is EXCLUSIVE before they submitted. It makes the member look bad, and could result in burnt bridges and some damage to their reputation in the industry. 44:18 - How does one get their foot in the door when they have no library experience and the "gatekeepers" are ruling them out preemptively? 51:34 - It's not just about great music. It's often more about music that fits the vibe or scene in a project. It's about the right music. ------------------------------------------------------------------------------------------------------------------------------------ Learn More About TAXI Independent A&R: http://bit.ly/2mPVGYh Rub Elbows with Music Industry Pros at Our FREE Yearly Convention: http://bit.ly/2a9mwlp View Our Current Music Industry Opportunities: http://bit.ly/28JPUyd Connect with Fellow Songwriters on the TAXI Forum: http://bit.ly/2DENChs Listen on the Go with the TAXI TV Podcast: Apple Podcasts: http://apple.co/2afebwW Google Play: http://bit.ly/2a7cCQX Stitcher: http://bit.ly/2FuSTJQ Soundcloud: http://bit.ly/2icUDe0 TuneIn: http://bit.ly/2DCzKrd Spotify: https://spoti.fi/2RDYXXL Amazon: https://amzn.to/3cmFODv Follow Us On Social Media... Facebook: http://bit.ly/2931C7x Twitter: http://bit.ly/2jJ0EnQ Instagram: http://bit.ly/2jcg7we SUBSCRIBE to our channel and comment below! #TAXImusic #MusicforSync

Comments