Скачать с ютуб PUT BLOOD IN THE MUSIC (JOHN ZORN, SONIC YOUTH, etc) 1989 documentary film directed by CHARLES ATLAS в хорошем качестве

PUT BLOOD IN THE MUSIC (JOHN ZORN, SONIC YOUTH, etc) 1989 documentary film directed by CHARLES ATLAS

Aired UK TV 'The South Bank Show' March 12th 1989 Put Blood in the Music is a unique documentary on the downtown New York music scene. In a collage of music, performance and commentary, Atlas captures the energy and pluralism that characterize this urban milieu. Reflecting the eclecticism of his subject, Atlas re-structures the conventional "talking head" format to allow a fragmented, fast-paced compendium of voices and sounds, ranging from music critic John Rockwell of The New York Times to street musicians. Focusing on such influential downtown figures as John Zorn, and featuring performances by Zorn, Sonic Youth, Hugo Largo and others, this is less a documentary than a cultural document, a vivid time capsule of the contemporary New York music scene. Director/Editor: Charles Atlas. Producer: James Morris. Sound: Judy Carp. Director of Photography: Paul Gibson. Performers: John Zorn, Sonic Youth, Spy vs. Spy, The Ambitious Lovers, Hugo Largo. Special Thanks: Blast First, Ann Lehman, Pat Naylor, Effanel Sound, Enchantments, The Knitting Factory, Michael Dorf, Lunch For Your Ears, Emmanuel Mauib, N.Y.C. Mayor's Office of Film and Television, NYC Public Development Fund, Brooklyn Army Terminal Building, Pier Platters/Tom Prendergast, The Pyramid Club, Skyline Studios, Steven's Institute of Technology, Summer Stage at Central Park, Woo Lae Oak of Seoul (NYC), Josh Brickman, Melanie Ciccone, Barry Devlin, Bob Donnelly, Lin Geller, Geoff Gottesfeld, Caroline Kennedy, Bronwen La Grue, John Lowe, Eamon McElwee, Lucy Sexton, Pete Shore, Mary Ellen Strom, Pierce Turner, The Kitchen, Declan Quinn. https://dangerousminds.net/comments/p... Most of Charles Atlas’ movies cover the world of dance, but in the late 1980s he put together a diverting documentary about the New York sound of the moment, with special focus on two budding stars from that scene, John Zorn and Sonic Youth. The movie is called Put Blood in the Music; the title derives from a comment made by Glenn Branca. Atlas’ playful methods involve some minor video trickery—his illustrious list of talking heads, about which more later, are always superimposed over footage of NYC street scenes. Atlas’ thesis, one voiced by most of his guests who discuss the matter in the movie, is that the special conditions only New York City can provide are responsible for the particular qualities of the music produced by its citizens—bracing, dissonant, heterogeneous. Put Blood in the Music has a very impressive roster of participants, including Branca, Lydia Lunch, John Cale, Kramer, Christian Marclay, Vernon Reid, Arto Lindsay, Hal Willner, Richard Edson, Karen Finley, and Lenny Kaye. Obviously we see a lot of Zorn and the SY people as well. Zorn is a more engaging presence than Sonic Youth, who at a distance of about three decades, are also far more familiar these days. Zorn was about 25 when this was filmed, but he seems even younger than that. He’s the kind of music nerd who has distinct, serious phases of getting “obsessed” with hardcore or obscure Japanese pop; can converse insightfully about the music of Carl Stalling, composer for the old Warner Bros. cartoon shorts; and as a teen was quite taken by the music of Argentinian experimental composer Mauricio Kagel. The Sonic Youth section is no less impressive—the high point may be the glimpse we get of Ciccone Youth covering Robert Palmer’s “Addicted to Love,” a subject already discussed at length here. Sonic Youth are arguably at the peak of their powers—they had just recorded Daydream Nation. Actually, I just realized that I saw Zorn and Sonic Youth play the same show—the WFMU benefit of 1991 that also featured the Dim Stars, which was a kind of no-wave supergroup with Thurston, Steve Shelley, Richard Hell, and Don Fleming from Gumball. That was a good show, for sure (IMO Zorn was by far the best thing in it). I don’t know if this is a truncated version of a longer movie. Some sources list Put Blood in the Music at 75 minutes—in any case this cut is a bit shorter than an hour, just the right length for an episode of The South Bank Show, which cheerfully presents it for your delectation. https://dangerousminds.net/comments/p... Thurston Moore full 1988 interview used in the film : 1/3    • Thurston Moore Interview  30th Septem...   2/3    • Thurston Moore Interview 30th Septemb...   3/3    • Thurston Moore Interview 30th Septemb...   Here's the recording John Zorn is talking about during the interview section beginning 15m 40s - Mauricio Kagel 'Improvisation Ajoutée' from David Tudor 'A Second Wind For Organ' LP    • 1/3 DAVID TUDOR A Second Wind For Org...